Photo Credits: Great M Entertainment
82MAJOR are stepping into 2026 with teeth bared and claws out, unveiling their 5th concert “비범 : BE 범 (BEBEOM: BE THE TIGER)” with a poster and individual images that frame the group as a new-generation performance powerhouse ready to dominate Seoul’s live scene. Set for January 24 and 25 at Blue Square’s SOL Travel Hall, the shows promise to turn one of the city’s most in-demand multi-purpose venues into a den of roaring fan energy as 82MAJOR deepen their reputation as “performance idols” who thrive on stage presence and live intensity.
The new concert visuals capture a moment that feels both cinematic and intimate, with the group gathered against a gradient of searing orange and blush tones that evoke a tiger’s twilight prowl more than a standard tour announcement. Styled in a mix of sleek black tailoring and animal-print accents, the members project a balance of urban polish and wild charisma, echoing the show’s “BEBEOM: BE THE TIGER” theme while nodding to the gritty, performance-focused identity they have been steadily crafting since debut. The typography, bold and brushlike in Korean, sits like a stamp of intent across the poster, visually linking the idea of being “비범” (extraordinary) with the sharp, decisive strokes of a claw mark.
For fans who have followed 82MAJOR from pre-debut days through their breakout as a six-member unit under Great M Entertainment, this fifth solo concert feels like a milestone that arrives surprisingly quickly yet completely on schedule. Since debuting in 2023, the group has built its name on high-impact choreography and stage-driven storytelling, the kind of reputation that makes a concert concept like “BE THE TIGER” feel less like a metaphor and more like a mission statement. The poster’s composition, with members leaning into one another in a tight, almost pack-like formation, emphasizes that sense of collective momentum, suggesting a unit ready to pounce on the next phase of their career.
The choice of venue underscores the scale of that ambition. Blue Square’s SOL Travel Hall sits at the heart of Seoul’s performing arts ecosystem, a flexible space that can host over a thousand seated guests and expand for standing audiences, making it a go-to stage for K-pop concerts, fan meetings, and genre-blurring live events. For 82MAJOR, stepping into this hall for a two-day run positions them among a growing list of acts using the complex as a launchpad for bigger stages, from global tours to large-scale festival appearances. The hall’s reputation for excellent sightlines and acoustics also hints at a concert experience built on more than spectacle, one where detailed choreography, live vocals, and fan-artist interaction have room to breathe.
The dates themselves—January 24 at 6 p.m. KST and January 25 at 4 p.m. KST—frame the event as an early-year statement, a way of opening 2026 by setting the performance bar high for both the group and the wider K-pop calendar. Ticketing is available through platforms such as NOL World and Interpark, positioning the show as accessible not just to local fans but also to international listeners planning a mid-winter K-trip built around one of Seoul’s most dynamic live venues. With their global profile rising and recent overseas dates hinting at expanding world tour ambitions, the Seoul concerts feel like a home-field showcase before the group carries the “tiger” concept onto stages beyond Korea.
Thematically, “BEBEOM: BE THE TIGER” plays into a larger narrative about youth, resilience, and performance identity within K-pop, where each new concert cycle becomes a chance to define who an artist wants to be in the eyes of fans and the industry. The poster and individual images lean heavily into that narrative, using lighting, styling, and posture to evoke a mood of poised intensity, as if the members are caught just before stepping into the spotlight rather than already performing. For 82MAJOR, whose choreography-centered reputation has often foregrounded physicality and precision, this concert branding hints at a show that is not only louder and stronger but also more conceptually layered, asking fans to join them in “being the tiger” rather than simply watching them from the audience.













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