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The air outside a Parisian side-street atelier doesn’t just hold the chill of late autumn; it hums with the unmistakable frequency of a cultural pivot. Leaning casually against the cool metallic flank of a blue Trans Sport, framed by the stark white typography of VOGUE KOREA, Cortis Keonho doesn’t look like an idol posing for a digital edition cover. He looks like an epicenter.

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