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She’s standing in a forest that looks staged and untouched at the same time, sage-green puffer zipped to the collarbone, backpack straps cutting clean lines across her chest, and she is not smiling for you. She’s looking past the lens, past the trees, past the season. That’s the first thing you need to understand about this moment: Jang Wonyoung has stopped performing approachability. She’s performing arrival.